Here, photography is like choreography, a network of emotions and effects, that is, when technology is understood not as a gadget, but as a complex mechanism inserted within a system of procedures and disciplines that shape the political. Vivian Galban more of an inductor or accomplice than an author in this case, pushes photographic language into a field of collective agency, a making in common that puts the focus on the idea of performability.

Alfredo Aracil
February 2019, Buenos Aires, Argentina